Five AI fashion models in black tanks and jeans, relaxed together around a wooden bench

Fashion shootsand the talent behind them.

Studio shoots your garments on the same face, every frame, cast to look like a real person. Desk runs your talent, real and AI, from booking to signed release.

Pick a face

AI talent, long copper hair and freckles, close crop. Not a real person.
AI talent, short dark hair, hand raised. Not a real person.
AI talent, long red hair and freckles, full length, hand in pocket. Not a real person.
AI talent, blonde bob, full length from above. Not a real person.
AI talent, curly red hair, black tank, close crop. Not a real person.
AI talent, long dark hair, close crop. Not a real person.
AI talent, cropped fringe, close crop. Not a real person.
AI talent, natural afro, hand at the neck, shot from below. Not a real person.
AI talent, curly hair, seated. Not a real person.
AI talent, long blonde hair, close crop. Not a real person.
AI talent, long straight hair, full length from above. Not a real person.
AI talent, long blonde hair, hands in pockets. Not a real person.

Talent fromones & zeros.

How it works

Wardrobe, talent, shoot.

Upload front, back and detail photos of each piece, choose a house model or cast your own, and get up to four finished frames a run.

Kalina, raincoat01 / 02
Flat lay of a long tomato-red waxed cotton raincoat with a hood
Flat lay of a pair of wide-leg dark indigo jeans
Flat lay of a pair of black leather derby shoes with lug soles
Flat lay of a thin navy crew-neck jumper
Location plate: an empty bus shelter on a terraced street, rain at dusk
The AI model at a bus shelter at night in the red raincoat, turning into the camera flash, rain caught in the light
Kalina, raincoat
Callum, café booth00 / 02
Flat lay of a black fine-gauge crew-neck jumper
Flat lay of a pair of black pleated wool trousers
Location plate: the empty corner booth of an old café, wood panelling and a curtained window
The AI model sitting back in a wooden café booth in a black jumper and trousers, one arm along the bench, looking into the lens
Callum, café booth
Nina, red knit00 / 02
Flat lay of an oversized red chunky rib-knit roll-neck jumper
Flat lay of a pair of ivory wide-leg trousers with a tie belt
Location plate: an empty studio, a pale blue-grey wall with a ledge near the top
The AI model in a red chunky roll-neck jumper and ivory trousers, arms folded over her head, eyes down, against a pale wall
Info
Nina, red knit
Elias, chair02 / 02
Flat lay of a long-sleeve rust knit polo shirt
Flat lay of a pair of wide chocolate-brown trousers
Flat lay of a pair of white ribbed crew socks
Flat lay of a pair of black leather tassel loafers with lug soles
Location plate: an empty studio, a pale seamless wall, a red Persian rug and a walnut chair on a concrete floor
The AI model seated on a wooden chair on a red rug, legs crossed, a hand at his jaw, in a rust knit polo, brown trousers, white socks and black loafers
Info
Elias, chair

What people shoot

Product pages
On-model shots on white or a plain colour, ready for the product page.
Flat lay to model
Send the flat lay, get the piece on a model.
Outfit swap
Put a new piece into a photo you already have. Pose, face and background stay as they were.
Whole collection
The same face on every piece of a drop, from the product page to the lookbook.

Automate workflows with Canvas

Wire talent, wardrobe and location together once. Each run shoots the set and checks every frame against the reference. Run it again on the next collection.

See every feature →

The models behind every frame

The models behind the Studio, in one account. No keys to manage.

  • Nano Banana Pro
  • Nano Banana 2.1
  • Nano Banana
  • GPT Image 2
  • Seedream 4.5
  • Kling 3.0
  • Seedance 1.0 Pro
  • Gemini 3.5 Flash
  • Claude Haiku 5.5

Cut in the Studio

Start from one frame, or set the first and last and let it fill the gap. Camera moves, light and pacing are directed per shot, then cut together. This one runs ten shots on one set: a wide, a detail, close-ups, an insert, a shot from behind the camera, an empty chair.

Every kind of talent, on one roster

  1. Real talent

    Run talent as you do today: options, confirmations, the calendar, books and packages. If they opt out, the system guards them from AI use.

  2. Real talent available for AI

    More clients now ask for AI work. With a signed release, a talent can take it on: new AI shoots, or an outfit swap on photos you already have. Each one opts in or out.

  3. AI talent

    Cast a new face in Studio. Every face is cast to look natural: real skin, no gloss, no marks you did not ask for. It joins your roster with its own REF and is booked like anyone else.

Everything around the talent

StudioFor agencies, brands and creators
Wardrobe
Front, back and detail photos of each piece. Import a whole collection at once.
Locations
Scout a place once and shoot the whole set there.
Finish
Film stock, grain, halation and crop. Upscale for print.
Identity
Every still is checked against the talent and redone if the face slips. One that still drifts is flagged, never passed off.
Delivery
Share a lookbook link, send a PDF deck, or download the files.
DeskFor agencies
Roster
Real and AI talent on one roster, with measurements, books and documents. Opted-in talent go straight into a Studio shoot.
Bookings
Option, confirm and schedule with the calendar kept in step, then send a client a package and see what they opened.
Real talent consent
AI likeness is the wild west today. Desk keeps it in order: each talent opts in or out, nobody is generated without consent, client delivery needs a signed release, and revoking stops new shoots and pulls the images from live packages.

Running a talent agency? Ask us about BOUQX Desk

Close portrait of an AI model with a bleached buzz cut and freckles, looking into the lens